We Will Not Be Intimidated

We Will Not Be Intimidated

Regular price $500.00 Sale

We Will Nor Be Intimidated  
Product Details
Artist: Luis Garza
Medium: Hand Pulled Multiple 
Colors: 2
Substrate: Coventry Rag 290 g/sm
Size: 22" x 30"
Signed and Numbered  Edition: 50

There are photographs of crowds of people carrying protests signs, determined speakers holding megaphones, streams of people marching down streets of Los Angeles, facing down barricades. Images of bodies covered in bruises from police near portraits of children and families, moments captured of everyday life, of music and joy.

From 1967–1977 a publication called La Raza documented the struggle, the joys and the aspirations of Los Angeles’ Latino and Chicano communities. The mission of La Raza, which coincided with the rise of alternative media outlets across the country, was to tell the stories of the Chicano community in Los Angeles in ways that the major media outlets in the city were not. Those efforts were fueled by the dedication of a dozen or so volunteer photographers — most of whom were of Chicano descent or were activist allies of a community fighting for visibility and equality.

“That’s why this collection of photographs is so important,” said Chon Noriega, director of the UCLA Chicano Studies Research Center. “It was a community photographing itself. It’s not just about the publication, but the larger universe of images that were generated and how a dozen-and-a-half people went out and tried to look at their world differently than the other two major sets of people photographing them, which were the traditional media and the L.A. County sheriff’s department.”

To make visible to the public what was once largely unseen, and remind a new generation of the efforts of a passionate community, the Chicano Studies Research Center partnered with the Autry Museum of the American West to create the “La Raza” exhibition, which is part of the Getty initiative Pacific Standard Time: LA/LA — a far-reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles.

The display at the Autry provides a poignant and thematic glimpse at what was taking place in Los Angeles during an era of demonstration, of pride and protest, the height of the civil rights movement in America. The people whose faces are made visible in the La Raza archive were fighting for hard things, and the photographers were fighting to change other people’s vision of that community’s fight, Noriega said.

“So much of what people were protesting at that time were the consequences of invisibility,” he said. “If you’re invisible you can be killed, you can be denied education you can be shipped off to war and then not recognized. I think it is something that all the major social movements of the 20th century really realized are core to the political issues.”

In 2013, the UCLA Chicano Studies Research Center became home to the 25,000 photographic images taken during La Raza’s decade-long existence, most of which have never been seen before. With the help of a grant from the Council of Information and Library Resources, the CSRC has spent three years digitizing and cataloging this collection for public access. The size of the collection rivals official photo documentation efforts like the U.S. Geologic Survey started in 1879.

The La Raza exhibition includes about 300 photos selected by curators Amy Scott from the Autry and Luis Garza, one of the photographers whose work is included in the show.